She doesn't care what the messenger is told; any excuse will do. She wants to see no suitors, she says, and she tells Maria to send the young man away immediately. While Maria and Malvolio are gone, Sir Toby appears. He is drunk, and Feste has a marvellous opportunity to ape Olivia's old uncle's drunken antics.
Olivia is amused by Feste's cleverness, and her mood softens; she sends Feste to look after her uncle after he exits.
She wants to make sure that nothing serious happens to him in his inebriated condition. Malvolio enters and tells Olivia that the "fair young man" is indeed "fair" and "young," and that he is, in addition, persistent. Olivia relents and agrees to see the lad — as long as Maria is present. She then veils her face before he enters. Viola, disguised as Cesario, enters and begins his mission by addressing Olivia with many compliments, while adroitly avoiding answering Olivia's questions about his status and background, for Olivia is very inquisitive about this fair, young "man.
Olivia is eventually persuaded to unveil herself, and she presents her beautiful face to Cesario — to which "he" responds playfully and most positively: "Excellently done, if God did all. He does not truly know her; therefore, he must press his suit no further.
Yet, on the other hand, if Cesario wishes to come again, Olivia will be most happy to see him. She hands the young man a purse of money for his troubles, but Cesario refuses it. Indignantly, he says that he is no "fee'd post.
Absolutely intrigued with young Cesario, Olivia calls to Malvolio. She tells him to follow Orsino's messenger and to return a ring that he left behind. She also tells Malvolio to inform Cesario that if the youth returns tomorrow, she will explain in detail why Orsino's suit is impossible.
Olivia has fallen in love. The ring is a ruse; Cesario left no ring. Olivia is merely trying to arrange a rendezvous tomorrow between herself and the handsome young envoy from Duke Orsino. Most elegant houses of this time would include, in addition to a large number of servants of different standings, a person who was considered the official "fool," "jester," or "clown. Traditionally, in Renaissance terms, the word clown often referred mainly to rustics such as those found in A Midsummer Night's Dream , and a person such as Feste would more appropriately be termed a "fool" a court jester.
Here, Feste opens the scene with the witty servant Maria, and they are engaged in a verbal sparring match. The two are very well matched; Maria is a mischievous, quick-witted person, and Feste has a mind like quicksilver. The pattern of their verbal humor and interchanges is executed in a rapid give-and-take repartee, which is extremely effective on stage. She has given him a pearl and treated him with great love, and he does not understand why.
Feste, however, sings and teases Malvolio, even as he reiterates his sanity and begs for paper, ink, and light so that he might write to Olivia and plead his cause. He rebukes Sir Toby and company very harshly, for which they resolve to get revenge. Malvolio leaves. Feste then reverts to his own persona to continue to ridicule Malvolio, but Sir Toby is beginning to have second thoughts. The Clown … He is about the house.
She invites Sebastian inside, and, thinking he must be in a dream, he follows her. You're signed out. Sir Andrew was not expecting this, and Sir Toby has to work hard to restrain Sebastian until Olivia arrives while Sir Andrew howls about a lawsuit, even though he struck first.
Olivia is pleased, but Olivia's uptight steward, Malvolio is not, regarding Feste as old and lacking in wit. If she had, little differences in speech, expression, stance, and motion would have told her that Sebastian is not Cesario. How does Feste feel about Malvolio? How does Feste regain favour with Olivia?
If playback doesn't begin shortly, try restarting your device. He is simply not Cesario, and he does not bother to explain that to Olivia. Yet he gladly agrees to a betrothal with a woman he has just met. Malvolio continues to insist that he is not mad and is indeed in darkness. Later in the scene, Feste will appear and sing the song "Come away, Come away, death.
In discussing Olivia, we saw that Feste has the function of bringing her elaborate mourning down to earth.
Sebastian, however, strikes back and draws his dagger. While Curio looks for him, the musicians start playing. Malvolio refuses to approve of such a theory. Sebastian seems entranced by the situation, and while he probably enters into this betrothal with good intentions, he does so under false pretenses.
The theme of this lyric is the sadness unto death of a young man whose love for a fair, cruel maid is unrequited. What kind of person does he seem to be? Add Yours. Feste has been away for some time, it seems, and nobody knew where he was. Olivia's steward, a man who is supposedly good at his job, but is stern and hates merrymaking.
After him I love More than I love these eyes, more than my life, More, by all mores, than e'er I shall love wife. Another way to prevent getting this page in the future is to use Privacy Pass. Our summaries and analyses are written by experts, and your questions are answered by real teachers. Why did Shakespeare title his play Twelfth Night. Act 4, scene 1 opens in the midst of an argument between Sebastian and Feste.
Malvolio says that the jester is a weak and sick man, as is his wit. Olivia primarily tanks physical damage, so reducing this is not recommended. Basilio had her prepar… 6. Olivia arrives with Malvolio, the steward of her household. Log in here. Ay me, detested! Sebastian cannot decide if he is the luckiest or the craziest of men. Feste disguises himself as the priest Sir Topas to taunt Malvolio, who is now locked in a dark room as a madman. Sebastian agrees, and the two exit with the priest.
Olivia, for her part, fails to recognize that Sebastian is not actually Cesario. She kept living out an alternate version of her timeline for the next few hours, until the effect of being pulled … The Clown … It's her birthday today!!!
He rebukes Sir Toby and company very harshly, for which they resolve to get revenge. Come hither, boy. Malvolio says that the jester is a weak and sick man, as is his wit.
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