How many mics

In smaller live situations however, a couple of mics will often suffice to bring the drum sound up to the desired level without over-complicating the mix. Served with love! With our cookies we would like to offer you the best shopping experience possible with everything that goes with it. This includes, for example, suitable offers and remembering preferences. If this is okay for you, simply click on "Accept" that you agree to the use of cookies for preferences, statistics and marketing show all.

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Microphones for Snare Drum Show Compare. Nope — if the kit requires it, some engineers will add cymbal mics, a sub-kick mic in addition to the outside kick, and any number of specials to suit the specific needs of a session. Here in the Sweetwater Studios, I remember seeing 18 mics on a drum set at one time, but I may have missed some. From the s to present day, as artists and producers came up with innovative sonic ideas for their projects, engineers developed the tools and techniques to make those ideas a reality.

The Glyn Johns 3-mic technique is still in use in studios around the world, even as setups using a dozen or more mics are used. When an artist has a vision — whether that vision pushes the boundaries or captures an old-school vibe — producers, engineers, and studios will continue to find ways to help our artists achieve that vision.

How Many Mics on the Drums? How many microphones do you use on drums when you record? Enter your email address. Please read our Privacy Policy and Terms of Use. Press Releases. Drum kit doesn't help the matter. Probably drowns out the children if I had to guess. If possible, shield off the drumkit with plexiglass screens, that should take away a bunch of cymbal bleed in your mics, and also a lot of direct cymbal sound.

This should allow you to get the band a bit softer and it'll automatically make the wireless mics seem louder. As always with sound, it's all relative. Where are the mics positioned on the kids' faces? Do you do a wireless mic soundcheck before each show?

I did a high school musical in a seat theatre last November. We had 12 wireless mics and no wireless change-overs fortunately , but I didn't use scenes due to lack of time and just muted the mics based on my notes in the script.

That in itself shouldn't be a problem, but I had a 40 piece symphonic orchestra right behind the players, with only a curtain in between, and the director was half deaf. She said so herself as well, but still shouted at me even during show intermissions with audience within hearing range! Once the production team understood that all I wanted was to get the best possible results they stopped the shouting and started acting more reasonable, but it wasn't exactly a nice experience.

In the end they were happy with the level and overall balance and quality, but honestly, I wasn't. The wireless mics were too loud and because of budgetary reasons there weren't enough wireless mics for all actors, so some roles were pretty much unintelligible.

This allows me to easily pull down all mics when they are all on, and the compression helps to keep things controlled and balanced, especially when I need to lift out a solo while there's others singing.

Also, it's nice to have 1 pan knob in case of a mono group and be able to pan all wireless mics to help the actor's stage positioning to be more realistic. Also, having one dynamic EQ for all wireless mics is quite nice for obvious reasons.

One other comment regarding individual mics Feedback propensity is actually reduced by the need for less input gain than a clipped to the neckline and " further from the mouth and costume obstructions hats, especially, and boas, collars, etc. One tip One old guy's experience Top Mentioned Manufacturers. Facebook Twitter Reddit LinkedIn. Subscribe to our Newsletter. By using this site, you agree to our use of cookies.